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Mary-Clare Buckle - Dorset-based feltmaker and textile artist
I was born in the Phillipines and grew up in Hampshire, southern England.  
I come from a creative family of artists, jewellers and woodcarvers.  
My Art Foundation was at the Surrey Institute of Art & Design
(Farnham, Surrey), where my brother Chris taught me.  
Told that I had to specialise for my Degree course, I chose Jewellery Design, which I studied at
the University of Central England
(then Birmingham Polytechnic).
I designed and made jewellery for many years and exhibited in the UK and abroad,
but was really always a frustrated
fibre artist!
I moved to Dorset in 1995 and discovered
feltmaking a few years after that.
My
initial work as a
feltmaker
was extremely colourful, freed from the constraints of making
jewellery, where it is difficult to use colour easily.
Felt is the perfect medium for me since, as a predominantly
abstract artist, I can either be very imprecise -
letting the medium control the design - or can immerse myself in a particular design and exercise as
much control as if I were almost 'painting' with the
fibres.
Over the last five years, as a
feltmaker and felt artist, based in Dorset, I have become interested in making
abstract 'Floating' felt art, trying to make
the pieces as thin as possible - almost transparent. When framed by sandwiching between
sheets of clear polystyrene or acrylic, the light can penetrate the felt piece, giving it an ethereal,
almost-not-there quality.
The pieces are hung slightly away from the wall, giving the impression
of floating in space (hence
'floating felts').
When also lit by a spotlight, the work has an incredible vibrancy and 'life',
particularly in comparsion with conventionally-framed two-dimensional paintings -
the eye of the viewer is no longer constrained by a rectangular frame, but can wander on and off the
piece at will.
Whilst I use wool for the basis of a piece, I normally incorporate other
fibres - in particular silk,
but also mohair wool, flax, viscose, cotton, nylon and metallic threads, or fabrics.
Many of these threads - being shiny - reflect light and create even more life in the piece.
Most of my
floating felt designs come about by ‘playing’ with the fibres, or starting off with an idea and seeing
where the
fibres take me.
I have been inspired, as a
felt artist or feltmaker, by many of the treasures found at the
Victoria & Albert Museum, especially the
mediæval enamel and gold caskets, tapestries, coloured Roman glass inset with gold, damascening
work (inlay of gold and silver into iron and set with semi-precious stones) and 18thC brocade costumes.
I also draw inspiration form the countryside and coastline of Dorset.
I love to contrast gold
with the matt wool and in some cases I like the designs to be slightly hidden, or sandwiched between
fine layers of wool.
For some time, I have been developing the technique of
lighting the
floating felt pieces from behind, to turn them into
wall lights.
Several examples of these
backlit abstract textile art pieces -
'Art Lights' -
are available for sale on this website.
I started developing this range in 2002. The innovative idea is to combine floating felts
with one or more integral light sources - merging art with home decoration to stunning effect.
The original
Art Lights used a '2D' compact fluorescent light shining through a
floating felt
stretched on a square frame, with a diffusing sheet between the light and the felt, and finished
with a sheet of glass on the front.
The light shining through brings up the pattern of the individual wool fibres.
The units are designed so that the light also shines out from behind the piece
(as shown in the
Art LIghts Gallery and, on
the page available here, in
the image of an
art light in situ).
Tokelau Storm and
Tokelau - Lagoon are framed as floating felts, but with the felt piece going right
to the edges of the frame, and then lit by a single 40W bulb, as are a series of smaller
art lights (which will soon be up on the page).
I then had the idea to use
ultraviolet-reactive ('day-glo') fibres
lit with
uv tubes set into the frame (actually 'blacklight-blue' tubes, which
produces safe uv-A light).
(see
Tokelau - Deep Down)
When the tube is switched on, this produces an intense bright glow from the fibres.
One of them
(Burning His Roses)
also incorporates my latest idea -
fairy lights to
backlight the piece as well -
click here to see this piece in situ.
One of the most interesting things about my
Art Lights is that, when the light is switched off,
you see a very different image (as shown in the enlargements of the pieces in the
Art Lights Gallery).
Alongside this, in my work as a
feltmaker and abstract artist, I am working on an extensive range of
abstract & semi-abstract pop-culture and BritArt-inspired
'conceptual' fibre art work
- some pieces as
floating felts and some more ‘solid’ pieces, which are framed conventionally.  
My creative process, as a
textile artist, often starts with an idea from a song title,
or just playing around with a cultural icon, or some ideas in my head - such as
Me
and its companion piece
You,
It’s Raining Men (from the
Weather Girls single)
or
Kiss Kiss (from Holly Valance’s debut No 1 hit). Currently, I’m busy on a whole series of
It’s Raining pictures - cows, money, cats & dogs, etc.
As well as the rich prehistoric and mediæval history of
Dorset,
I have also been inspired, as a
fibre artist, by places I've visited around the world,
including Morocco, Central & South America, Thailand and India.  
India holds a particular fascination for me - the motifs they use in their work and
the fantastically bright colours in the
textiles and embroidery.  
I've been there several times, most recently on a very long trip with my young sons
and husband,
Andrew Green,
who is writing a
travel book about our experiences there, which will be included on his website,
www.travelwriting.net.
I moved from London to
West Dorset,
shortly after our twin sons, Arran and Fingal (who we are home-educating),
were born and now live in the
artists' enclave and picturesque village of
Abbotsbury,
with a view of the sea to add further inspiration to my work.
Abbotsbury is home to a disproportionately large number of artists -
abstract artists, representational
artists and
textile artists -
so, as an
Abbotsbury artist, I don't feel like I am working alone!
See below
(click here)
for more information about
artists' studios and art galleries in Abbotsbury, Dorset
My husband
Andrew, who is a
web designer,
has
designed and created this website
- including
search engine optimisation of my
abstract art
page - as well as working with me on the
digital imaging and
publicity for my work.
My
studio gallery is open to the public all year round
- but do ring first (01305-871561) if you're planning a special journey.
For further developments in my work,
or, better still,
- to hear up-to-date news about my
art!
For
or
, please
with your requirements.
Watch this space!
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